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elizahonig.livejournal.com) wrote in
trennels2006-04-18 12:14 pm
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Finding Antonia
DandyinChina mentioned, on a thread over at *Esther's Term,* final chapter, that A. Forest is completely obscure in Germany but a friend whose literary tastes she liked had recommended her. I wondered how everyone else found Antonia, who isn't blazingly famous (as she deserves to be) even in the English-speaking world. Certainly I have never met a single American who has read her works, except people to whom I recommended them.
Here's my story. I was in London in 1971, aged 12, with my parents. They deposited me at Foyles for, as I recall, several hours, while they did other business in town. They said that I could choose five books. I had a long time to consider, and chose Ruth Arthur's *A Candle in her Room,* Brian Fairfax-Lucy and Philippa Peirce's *The Children of the House,* Norah Lofts's *The Story of Maude Reede*, and Antonia Forest's *End of Term*. (I'm forgetting the fifth, but it was good too.) There was a list in the Forest book of all her other works, and over the following years my father would order them from Foyles as my Christmas presents. I found the last ones when I was travelling in England myself, some years later. Now I have a complete set in America (including *Thursday Kidnapping* and the Elizabethan books) and about 1/2 of another set at my Amsterdam apartment, just in case I need a fix while I'm there.
I am proud to have once introduced a scholarly art history article (published in French, Flemish, and English) with a quotation from *Autumn Term,* the one where Tim compares her father and Mrs. Todd as a person who paints vs. a merely "artistic" person. That's why I was so pleased to see him "live" in *Esther's Term.*
Any other stories? Or was Antonia Forest a quite obvious choice for everybody else?
Here's my story. I was in London in 1971, aged 12, with my parents. They deposited me at Foyles for, as I recall, several hours, while they did other business in town. They said that I could choose five books. I had a long time to consider, and chose Ruth Arthur's *A Candle in her Room,* Brian Fairfax-Lucy and Philippa Peirce's *The Children of the House,* Norah Lofts's *The Story of Maude Reede*, and Antonia Forest's *End of Term*. (I'm forgetting the fifth, but it was good too.) There was a list in the Forest book of all her other works, and over the following years my father would order them from Foyles as my Christmas presents. I found the last ones when I was travelling in England myself, some years later. Now I have a complete set in America (including *Thursday Kidnapping* and the Elizabethan books) and about 1/2 of another set at my Amsterdam apartment, just in case I need a fix while I'm there.
I am proud to have once introduced a scholarly art history article (published in French, Flemish, and English) with a quotation from *Autumn Term,* the one where Tim compares her father and Mrs. Todd as a person who paints vs. a merely "artistic" person. That's why I was so pleased to see him "live" in *Esther's Term.*
Any other stories? Or was Antonia Forest a quite obvious choice for everybody else?
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Ruth M. Arthur, Candle in Her Room
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I somehow ended up with a copy of End of Term (Faber reprint) - not sure when, but my list of books I've read goes back to 1993 and it isn't on there, so I must have read it before that. I first came to the UK in 1990, so it's possible that I bought it over here, or that it had simply been randomly available at a book sale in the states. But it didn't seem to inspire me to track down anything else by her, as I never read any other Forests until last week.
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Then set out to collect the other Forests, which was easyish with the ones Puffin had published, and difficult with the others, though the two Players books were in our local library. I think I was the only person who borrowed them for years. Thursday Kidnapping I didn't read until a few years ago, though I have my own copy now.
I didn't know anyone else who'd read her until I got online and discovered the Girlsown list. I'd recommended her to a few people, but I only knew one other person who admitted to reading anything labelled as a 'school story' and my proselytising was unsuccessful.
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I've only read Autumn Term so far though — that being all that Cambridge County Library have.
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The libraries had very few other school stories*, so AF must have been held in high regard.
*with the exception of the central library, which had loads of hb Chalets, which were catalogued as 'shelved in basement' but in reality lived, in a slightly shameful way, on a trolley next to the issue desk, in a sort of limbo - not shelved with the real books, but very popular....
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(Anonymous) 2006-04-18 10:10 pm (UTC)(link)Rather uncommonly, my local library (in NZ) had all the Antonia Forest books, including the Elizabethan ones, and I regularly got them out. Probably I was the only one though, because last time I checked they'd been moved to the stacks. Maybe they've been sold off, now.
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(Anonymous) - 2006-04-19 02:21 (UTC) - Expand(no subject)
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Shameful memory - I could not get hold of a copy of Ready Made Family so I borrowed a copy from the local library and then pretended to lose it. Worst of all they would not take more than a nominal fine although I pleaded with them to let me pay the full cost of the book.
Until I went on the web and found other fans I really did think I was one of a tiny minority of readers. I've never met anyone who's ever heard of Antonia Forest let alone read her books. I could never understand why they weren't more critically acclaimed and popular.
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