Date: 2014-09-19 11:34 pm (UTC)
I've felt for a while that AF really matures stylistically in End of Term. Not to say that the earlier books aren't fantastic too, with some moments which are head-and-shoulders above other -- not even average, but good -- children's authors, but somehow I feel she comes into a greater degree of assurance and stylistic finesse at this point, and that fuels some of the experimentation and risk-taking that will follow (e.g. in Thuggery). The conclusion of the play chapter verges on technically perfect, I think, which isn't something I'd say at all lightly. And of course all of this isn't a 'cold' sort of knack for handling style: she is still extremely funny; her characterisations are still agonising and compelling, &c.
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