[identity profile] smellingbottle.livejournal.com
Partly because of the changing timeschemes, I always have difficulty envisaging the Marlows' clothes, especially the non-handmedowns and the various special party dresses of Run Away Home and Doris's fabrications in Peter's Room.

I don't have a copy of the latter, but in RAH, Nick gets as a Christmas present of a dress of 'green and white striped silk', while Lawrie's has 'a black velvet bodice and black taffeta skirt sprigged with roses', both with matching velvet 'wraps'. Miranda's dress, given to Nicola after the Changear row (with its very specifically seventies tunics with pea-green swirls and tartan trousers), is 'cream-coloured silk, finely pleated, falling from a high yoke' and makes Nick look ravishingly like Ginty. AF is always attentive to fabric and colour, but I, for one, have absolutely no sense of what any of these dresses would look like in practice, other than the fact that Miranda's dress is clearly (at least for Nick) a version of The Platonic Dress which makes the wearer look endlessly beautiful.

(a) Is AF being deliberately non-specific on these, with the aim of not dating her work? Or because she is not all that interested in the specifics of people's appearance, famously non-specific on Esther's beauty etc?
(b) How does anyone else picture these garments?
(c) Bonus points for incorporating references to the Bridesmaid's Horror, anything from Mum's Chest, or their ideas on how an entire school uniform could possibly be scarlet and not make Kingscote look as though it is drowning in arterial blood.
[identity profile] geebengrrl.livejournal.com
Can you help?

1. In Peter's Room, Peter, Rowan and Karen are in the bathroom. Peter draws 'an X on the surface of the water in the basin to avert a quarrel'. What does this mean?

2. In Run Away Home, during all the hoo-ha about Nick borrowing Ann's bike to go to Mass at the Merrick's, Rowan says, "I ought to warn you that when old Ramsay [I assume this is their local vicar] does his duty by the A.S.B first Sunday of the month, our mama cuts Matins and goes to evensong instead." What's ASB, why is Ramsay involved avd why would that make Mrs Marlow change her church-going habits?

thanks!
[identity profile] lavenderhill.livejournal.com
Hi there – I am also new to this group, but have been an avid reader of AF for over 15 years. I have all the books, and have re-read them frequently.

I have been thinking for a while that the Marlow stories would make a great early Sunday evening family television series. When you think about it, they combine the teenage school highs and lows of The OC (bullies/ school teams/ boyfriends) with the kind of drama reserved for Eastenders (step families/ runways/ child abduction..). It also has some kind of glamour, as the main protagonists are of a class that most people are not.

The more I thought about it, though, the more I realised that the stories would have to be set in the present day, in order to gain enough interest from viewers, and also the backing from a production firm. This started me thinking about how to update some of the storylines, which are often a product of the time they were written in. The telephone saga in The Attic Term, would be an interesting one, although in my mind, I would have Ann owning the ‘family’ mobile, on which calls home are made. Ginty ends up using the office phone due to the queues and lack of privacy on the payphones near the common room. Some schools are strict about mobiles and insist that the housemistress keeps them until after classes are over, and I could see Kingscote doing this, and Ann obviously obeying.

Another issue would be the make-believe in Peter’s Room, which I cannot see teenagers in 2006 doing. An interesting way round this, would be to have ‘Gondal’ as a new online computer game, which they start playing whilst hold up in Peter’s Shippen, and gradually become addicted to – apart from Nicola, who would much rather be herself out doing something! There was some research done about these kind of online ‘quest’ games, where quite ordinary people in real life, are ‘kings’ of these online worlds. This plot would not only allow the story to develop as it does in Peter’s Room, but also look at the effect of kids spending too much time on computers..

The Thuggery Affair I would love to turn into Chavs, but this is probably rather un-PC!! And the Marlows and the Traitor would have to be drug smuggling as I don’t want to touch 21st century terrorism..

Talking to my sister, another AF fan, about this, we got onto the characters. She says that Nicola is unlike any modern day teenage girl. What 12/13/14 year old is mad about the Navy and into cricket? If there was someone like that at school, they would be really picked on by the ‘trendy gang’ .But I don’t know – I think Nicola as she is in the books would work, and I would still have her dropping her new penknife out of the train (do modern trains have windows that open, though?). She is also safe from the ‘trendies’ in that she a Marlow, and is actually part of the Main Clique with Tim, Miranda and Lawrie. I would, however, have Lawrie and Tim as being quite skinny-jeaned/ Top Shop cool, whereas Miranda would be in Seven jeans and a Chloe top. Nick would be more jeans and tatty converse boots (previously Rowan’s). If any of you live in London, the Top Shop, H&M and Zara on Kensington High Street on a Saturday are full of upper middle class teenage girls in all their glory…. Just to give you an idea of what Kingscote girls would be like in 2006…

Anyways, just wanted to share these thoughts, and wondered what you all think. Would it work? Is it worth me writing a proposition and sending it to the BBC??!

Apols for long post...
[identity profile] geebengrrl.livejournal.com
There are three things that always troubled me a bit about this book:
a) Why did Karen suddenly up and marry an older man, with kids, and chuck in her degree;
b) Why is Edwin such as bastard; and
c) the cooling of relations between Rowan and Karen

I re-read the book over the weekend, and I came up with a few theories, so thought I'd put them out there and see what the general opinion is.

(a) Why did she do it?
At the time the book was written, the '60s were beginning to make themselves felt. There are references to dolly birds for example, and things pointing to a gap widening between youth and age. I get the feeling that Karen is quite old-fashioned. She's studying Classics (and she studies - in Peter's Room she's spending her whole xmas vacation pouring over the books), her sisters refer to her as "straight", she doesn't seem to be partying her time at Oxford away. Could it be then, that Karen found she didn't want to be part of this brave new world that was opening up - she doesn't seem the type for pop music, free love, drugs etc and she doesn't seem to have any friends at Oxford. Does it make sense that she saw an academic career was not going to be what she wanted, not because she doesn't want to be an academic, but because she doesn't like the way academia is going (maybe she even has inklings of the coming tide of post-modernism). If you're 19 and a young fogey and not a particularly good "coper", is it an easy solution to your problem to marry a much older man whose interests seem to align more with yours, so that you can feel more comfortable in your skin?

(b) Why is Edwin such as bastard?
I think you can understand Edwin a little better if you think a bit deeper about the class issues involved. I'm basing this on a few things: Edwin reads the Guardian, he drives a fairly ordinary car*, Karen calls him "love"**, and they send the kids to the village school and the Colebridge grammars. This, to me, points to Edwin possibly being a lower-middle-class grammar school boy made good; but with a bit of a radical/lefty edge. So part of the reason he comes across as such a bastard is that he's wrestling with an internal conflict - he's married a woman who comes from all he despises (money and privilege); AND he's under obligation to the ruling classes because he's staying in their house, eating their food, and having his kids minded by them. Peter's behavior to him is not just a kid being cheeky to an adult, but a member of the ruling classes trying to assert their power over the proletariat. Edwin wants to assert himself in the face of the Marlows' privileged existence, but his radical identity is being swamped by sheer weight of numbers.

* Edwin drives a Hillman Minx, a fairly ordinary, mid-priced British car manufactured from 1947 to 1960.
** I tend to associate this with lower-middle / working class speech. While it comes from Karen in this context, I am speculating that she calls him that because he calls her that. It contrasts to the Marlows, who are always "darling" when an endearment is required.

(c) Why do Karen and Rowan fall out?
In Peter's Room, there is a discussion between Nicola and Rowan in which Rowan admits that, while farming is OK, the staying at home bit of it is very very dull. I get the impression that she is longing for excitement and the company of people her own age - and that maybe she thinks Karen has all that because she lives away from home at Oxford.

Now Karen arrives home, announcing that she is throwing all that away to get married. She announces this just after Rowan has watched someone have a major stroke, has a looming farm disaster (swine fever), which she now has to cope with alone; and also is facing the long term prospect of taking on the farm herself, aged 18 with 8 months experience under her belt, or possibly having to give it up. Yet everyone is running around paying attention to Karen, for the whole book.

So I think Rowan is angry for two reasons: (1) She is going through a bloody hard time with no support; and (2) she is facing the prospect that leaving school to go farming may have been a mistake, she may have to give up farming anyway, she has no A-levels so she's not going to get to university, and here's Karen throwing away the the things that Rowan gave up, to get married AND getting all the attention.


Maybe I'm thinking too much. But it's a plausible explanation to me, and I'm interested to know what you think.
owl: Nicola Marlow (nicola)
[personal profile] owl
Seeing as it's nearly Christmas, I've been re-reading the Marlow winter books.

[Poll #636579]

And why?

Personally, I can't make up my mind. I love all the holiday books except for Thuggery.
[identity profile] intrepid--fox.livejournal.com
Oursin's thoughts about Ann's Marlovian qualities made me think about Peter's. I mean, just how Marlovian is he, when you really think about him? He's scared of heights (can't imagine his naval ancestors gibbering in the rigging, somehow) and this fear, coupled with his pointblank refusal to admit to it, gets him into major strife, like freezing on the cliffs, and feeling pressured into breaking back into the Foley house, all just in case people might suspect something most of them already know anyway.

He's got appalling taste in friends, starting with horrid Hugh and kleptomaniac Dickie as described in Traitor, and extending all the way up to Foley. He and Patrick seem to be friends more through force of circumstance than genuine liking. And you can't help suspecting that his mate Selby at Dartmouth is as dull as ditchwater, can you? Of course, you could argue that poor taste in friends is a trait he shares with Ginty, Karen and possibly Lawrie (Ann doesn't have any friends that we ever see).

Possibly because of all the strongminded siblings he's surrounded by, he's underconfident and has a tendency to be dominated by others (Patrick, Rowan, Giles). And in his turn, he tends to bully other people when he feels he can get away with it, shading into the sadistic when he's acting the part of the chief brigand in Peter's Room.

Although he's good at sailing, there's no particular reason to suspect that he's got anything else which will enable him to make a successful career as a naval officer: he's got no head for navigation, panics under pressure and makes seriously stupid decisions about the best way of handling crises (hmm, we have a large gang of drug-dealing thugs. Tell you what, I'll get a bunch of them to chase me round the countryside brandishing bicycle chains and razors, while you break into their house and my (presumably) virginal and inexperienced young sister is left on her own with a horny and experienced gang-member. What's that? Let the police handle it? Naah.)

Thoughts, anyone?

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