Readthrough: End of Term, chapters 1-3
Aug. 28th, 2014 10:12 pm![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
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Welcome back! Hope you enjoyed the break and are ready for more discussion.
End of Term returns to Kingscote, a year after the beginning of Autumn Term. Anyone else wonder about what happens in those missing terms? Perhaps something to explain Rowan’s decision to leave? This has been your regularly scheduled fic prompt.
If anyone is tempted to think that Forest has rather overdone Ann’s fussiness, I’ll be pleased to disabuse them, having spent more time than I would really like around people whose attitude to catching buses, trains and planes is two hours early good, four hours early better. Ann notably isn’t a fusspot when she’s managing people who aren’t her family--the Guides in Autumn Term think of her as a good delegator--her excessive concerns for them here, I think, are juxtaposed interestingly to Nicola’s reflection on ‘feeling like a pin between two magnets labelled “Home” and “School” ’.
Tim has undergone something of a change of image, but remains able to needle Nicola as well as ever. ‘Handsome, high-spirited Marlows’ is very good, I think.
What do people make of our first glimpse of Esther, and Nicola’s judgement of her looks as beautiful? And judgements of looks in the series as a whole?
And Nicola Marlow goes AWOL from another school-bound train... I’m always very proud of the Sprog and his sparrow.
Nicola’s tact is at full tilt in dealing with Esther’s distress, and I think this handles very eloquently the pain and embarrassment of tears that you feel you should have grown out of, but which insist on springing out. But there are still some slightly dubious moral judgements here in the assumption that tears have a value, in a sense, which can be degraded by releasing them too easily, as Lawrie is implied to do--whereas Esther puts a proper value on crying because her tears are difficult and violent. While I’m endeared by the resolution of the situation in Nicola’s finding out that Esther is crying for an animal rather than a human being, it also points to quite a curious value-system. It’s one stereotypically associated with a certain sort of socially privileged Englishness; perhaps there’s also a notion embedded there that to cry for one’s parents is childish, but to cry for a dog is more respectable somehow. In any case, it’s rather telling of Esther’s relationship with her parents. The frequency of parental divorce as an experience at Kingscote is interesting, I think. The temporal flexibility that’s a feature of later books in the series doesn’t apply yet, if we take Miranda’s account of wartime evacuation as a guide, and a relatively high divorce rate might also be an indicator of a late 40s setting rather than a 50s one?
Nicola’s exchange with Ann at the end of this chapter is painfully well-observed, I think: both of them, in their different ways, missing Rowan, Ann’s illogical ‘You wouldn’t have done this to Rowan’, Nicola’s inadvertently wounding ‘I wish Rowan was here’, Ann’s mixture of relief and anger at Nicola being safe, Nicola still being rather young to recognise that relief/fury complex, the little nod back to Falconer’s Lure with ‘Ann has feelings, same like the rest of us’.
Following directly on her exchange with Ann, Nicola has another uncomfortable conversation, with Miss Redmond. Wonderfully squirmy stuff: Redmond's fulsome magnanimity, Lawrie's speechless embarrassment, and Nicola's disgust at Redmond's language of personal development: 'All this talk about letting down and not feeling ready--how could people talk like that?', Redmond's anger at the knockback. Sublime. (I also love Nicola 'being Stalky'.)
I also like the introduction of Miranda as a real character rather than an off-stage caustic presence, without quite breaking with the intimations we get of her in Autumn Term. I've long thought Miranda might be something of a self-portrait, representing the Jewish part of Forest's background as Patrick does her Catholicism.
'Someone who saw the joke at the same time as you did...' I think speaks to a lot of bright, well-read and informed children, which I think Forest must have been. And I enjoy the way that Miranda and Nicola share an intelligence that encourages candour in one another: about holidays being dreary, Karen's ineptitude as Head Girl, a shared dislike of Lois.
Poor Nicola: her first evening at school, and her fourth uncomfortable encounter, this time with Lois herself...Lois's smugness is sharply observed here, I think.
I'd love to hear what you think of Miranda's disclosure of her feelings for Janice and her hostility to 'pashes'. I tend to read this as a sort of (very quiet) coming-out. For the novel's presumed target market it's a pretty subtle distinction between the sentimentality of the worshippers at the shrine of Eileen Benson and Joyce Craig and a more firmly established romantic/sexual orientation. If I'm counting back right, the Lower V when Miranda was in IIA would have been Rowan's form. What on earth did she have to say about kirbigrips under pillows and roses in silver paper? This has been your regularly scheduled &c. I also love Miranda's irrepressible enjoyment of a row; making her a kind of anti-Ginty, I think.
The magnificent dottiness of a play cast according to character rather than talent still makes me gape and giggle. And 'Sheep: noises off' has barely staled over the quarter century I've known the novel.
(i)
Miranda's fickleness in the choice of Best Friends is funny but also unsettling; and I appreciate the indication that for all their emotional sophistication, these are characters still young enough to care deeply about who sits next to whom in class.
If Nicola prefers Cromwell just for Maths, I think I prefer her just in fiction, where I enjoy her sardonic repartee enormously: in real life she is the sort of teacher who would have spotted my weakness and gone for it mercilessly as she does for Lawrie's. But what do others think of her?
The little intimation of the swap-plot(s) to come is nice, I think. Forest handles the venerable notion of twins swapping with dash and confidence, I think, and of this we will have much more to say. But here it serves to highlight the change in friendship dynamic: Tim-Nick-and-Lawrie was already fracturing in Autumn Term, now it seems definitely to have become Tim-and-Lawrie and Nick-and-Miranda(-and-possibly-Esther).
(ii)
The rearrangements of the casting for the play are great fun, but was there ever a barmier way to go about putting on a show? Feel free to share ghastly school drama stories!
As someone who routinely roleplays Prince Charles Edward, I rather like Ginty's sense of herself as exiled reprobate, and quite understand her dismay at being promoted to Crowd. Lawrie's conceit, meanwhile, is as bumptious as ever, and her sisters as sternly engaged in repressing it.
It's a telling little insight that it was Miss Keith who expanded the Christmas Play from an entertainment to a Community Effort, the sort of bye-writing at which Forest excels. And Dr Herrick's polite attempts to amplify it into a production suitable for a cathedral are nicely done, I think: although he's the representative of the ecclesiastical world, he's much more of a impresario than the Kingscote staff, with Ussher here committed to a worshipful vision. Is there any fic about Dr Herrick? He's one of my favourite minor characters. (This has been &c.)
Again, a little foretaste of the swap-plot as Dr Herrick mistakes Lawrie for Nicola; and the audition scene gruesomely sheep-and-goats. Dr Herrick's embarrassing idea that Lawrie and Nicola should walk together again indicates his showmanlike tendencies; gentle and courteous though he may be, he's rather ruthless of people's feelings when it comes to mounting a production. And this incident marks a further wedge between Nicola and Tim-and-Lawrie. That Nicola's feelings are sufficiently bruised by the quarrel with her sister that it is only when she's seeing to Sprog that it occurs to her how exposed she'll be, singing solo in the Minster, I think, is a really neat touch of characterisation.
Although I have to try very hard to care much about the netball bits of the books under normal circumstances, I really like the little episode in which Lois refashions the younger girls' joshing of Nicola as an anecdote about Nicola's big-headedness. Val's uncritical acceptance of Lois's manipulation neatly indicates her acceptance of authority and hierarchy, while Janice's scepticism displays independence.
I enjoy Nicola's surprise at Shakespeare knowing anything as 'useful' as falconry; and perhaps the germ of an interest in Shakespeare in 'wondering how they fitted into their various plays'.
What do people think of Lois's behaviour towards Nicola at the practice? Ideas about what motivates her? Just the feud with Rowan?
(iii)
As someone who's a cheerful-noise-in-the-bath sort, I quite appreciate the horrors of Dr Herrick's reign of terror. Tim's dismay at remaining in the Crowd now the criteria for inclusion have changed, and its consequences in stinging-nettle satire, I think is handled with great plausibility. Marie's hearty attempts at joining in always make me squirm, as does her falling neatly into Miranda's baited trap. I'm fascinated by and would love to hear what people have to say about Miranda's Jewish identity, by the way (also: fic prompt--I wish I had the knowledge and competency to try my hand.)
Lawrie's religious ignorance will be picked up later in her conversation with Madame Orly. Is it plausible? End of Term is the novel in which Forest's religious commentary begins in earnest. It's one of the strands in the series that I enjoy most, and I'd just like to open up to discussion this novel's (and the series') religious themes. (I don't think it's a particularly spoilery area, with a couple of exceptions: use your discretion.)
Here's
ankaret's fic 'The Next Christmas', by the way, in which Patrick and Ann discuss religion. I read this and wandered around claiming it was canon for about three years before running across it again and realising it wasn't. Legionseagle's 'To Strive To Seek' also contains some great sectarian détente and misunderstanding.
Finally, I have never, ever, been able to hear 'See Amid the Winter Snow' without thinking of school dinner.
Enough from me--have at it, and I look forward to your comments!
(Posting slightly early this week as I'll be occupied and largely offline tomorrow.)
End of Term returns to Kingscote, a year after the beginning of Autumn Term. Anyone else wonder about what happens in those missing terms? Perhaps something to explain Rowan’s decision to leave? This has been your regularly scheduled fic prompt.
If anyone is tempted to think that Forest has rather overdone Ann’s fussiness, I’ll be pleased to disabuse them, having spent more time than I would really like around people whose attitude to catching buses, trains and planes is two hours early good, four hours early better. Ann notably isn’t a fusspot when she’s managing people who aren’t her family--the Guides in Autumn Term think of her as a good delegator--her excessive concerns for them here, I think, are juxtaposed interestingly to Nicola’s reflection on ‘feeling like a pin between two magnets labelled “Home” and “School” ’.
Tim has undergone something of a change of image, but remains able to needle Nicola as well as ever. ‘Handsome, high-spirited Marlows’ is very good, I think.
What do people make of our first glimpse of Esther, and Nicola’s judgement of her looks as beautiful? And judgements of looks in the series as a whole?
And Nicola Marlow goes AWOL from another school-bound train... I’m always very proud of the Sprog and his sparrow.
Nicola’s tact is at full tilt in dealing with Esther’s distress, and I think this handles very eloquently the pain and embarrassment of tears that you feel you should have grown out of, but which insist on springing out. But there are still some slightly dubious moral judgements here in the assumption that tears have a value, in a sense, which can be degraded by releasing them too easily, as Lawrie is implied to do--whereas Esther puts a proper value on crying because her tears are difficult and violent. While I’m endeared by the resolution of the situation in Nicola’s finding out that Esther is crying for an animal rather than a human being, it also points to quite a curious value-system. It’s one stereotypically associated with a certain sort of socially privileged Englishness; perhaps there’s also a notion embedded there that to cry for one’s parents is childish, but to cry for a dog is more respectable somehow. In any case, it’s rather telling of Esther’s relationship with her parents. The frequency of parental divorce as an experience at Kingscote is interesting, I think. The temporal flexibility that’s a feature of later books in the series doesn’t apply yet, if we take Miranda’s account of wartime evacuation as a guide, and a relatively high divorce rate might also be an indicator of a late 40s setting rather than a 50s one?
Nicola’s exchange with Ann at the end of this chapter is painfully well-observed, I think: both of them, in their different ways, missing Rowan, Ann’s illogical ‘You wouldn’t have done this to Rowan’, Nicola’s inadvertently wounding ‘I wish Rowan was here’, Ann’s mixture of relief and anger at Nicola being safe, Nicola still being rather young to recognise that relief/fury complex, the little nod back to Falconer’s Lure with ‘Ann has feelings, same like the rest of us’.
Following directly on her exchange with Ann, Nicola has another uncomfortable conversation, with Miss Redmond. Wonderfully squirmy stuff: Redmond's fulsome magnanimity, Lawrie's speechless embarrassment, and Nicola's disgust at Redmond's language of personal development: 'All this talk about letting down and not feeling ready--how could people talk like that?', Redmond's anger at the knockback. Sublime. (I also love Nicola 'being Stalky'.)
I also like the introduction of Miranda as a real character rather than an off-stage caustic presence, without quite breaking with the intimations we get of her in Autumn Term. I've long thought Miranda might be something of a self-portrait, representing the Jewish part of Forest's background as Patrick does her Catholicism.
'Someone who saw the joke at the same time as you did...' I think speaks to a lot of bright, well-read and informed children, which I think Forest must have been. And I enjoy the way that Miranda and Nicola share an intelligence that encourages candour in one another: about holidays being dreary, Karen's ineptitude as Head Girl, a shared dislike of Lois.
Poor Nicola: her first evening at school, and her fourth uncomfortable encounter, this time with Lois herself...Lois's smugness is sharply observed here, I think.
I'd love to hear what you think of Miranda's disclosure of her feelings for Janice and her hostility to 'pashes'. I tend to read this as a sort of (very quiet) coming-out. For the novel's presumed target market it's a pretty subtle distinction between the sentimentality of the worshippers at the shrine of Eileen Benson and Joyce Craig and a more firmly established romantic/sexual orientation. If I'm counting back right, the Lower V when Miranda was in IIA would have been Rowan's form. What on earth did she have to say about kirbigrips under pillows and roses in silver paper? This has been your regularly scheduled &c. I also love Miranda's irrepressible enjoyment of a row; making her a kind of anti-Ginty, I think.
The magnificent dottiness of a play cast according to character rather than talent still makes me gape and giggle. And 'Sheep: noises off' has barely staled over the quarter century I've known the novel.
(i)
Miranda's fickleness in the choice of Best Friends is funny but also unsettling; and I appreciate the indication that for all their emotional sophistication, these are characters still young enough to care deeply about who sits next to whom in class.
If Nicola prefers Cromwell just for Maths, I think I prefer her just in fiction, where I enjoy her sardonic repartee enormously: in real life she is the sort of teacher who would have spotted my weakness and gone for it mercilessly as she does for Lawrie's. But what do others think of her?
The little intimation of the swap-plot(s) to come is nice, I think. Forest handles the venerable notion of twins swapping with dash and confidence, I think, and of this we will have much more to say. But here it serves to highlight the change in friendship dynamic: Tim-Nick-and-Lawrie was already fracturing in Autumn Term, now it seems definitely to have become Tim-and-Lawrie and Nick-and-Miranda(-and-possibly-Esther).
(ii)
The rearrangements of the casting for the play are great fun, but was there ever a barmier way to go about putting on a show? Feel free to share ghastly school drama stories!
As someone who routinely roleplays Prince Charles Edward, I rather like Ginty's sense of herself as exiled reprobate, and quite understand her dismay at being promoted to Crowd. Lawrie's conceit, meanwhile, is as bumptious as ever, and her sisters as sternly engaged in repressing it.
It's a telling little insight that it was Miss Keith who expanded the Christmas Play from an entertainment to a Community Effort, the sort of bye-writing at which Forest excels. And Dr Herrick's polite attempts to amplify it into a production suitable for a cathedral are nicely done, I think: although he's the representative of the ecclesiastical world, he's much more of a impresario than the Kingscote staff, with Ussher here committed to a worshipful vision. Is there any fic about Dr Herrick? He's one of my favourite minor characters. (This has been &c.)
Again, a little foretaste of the swap-plot as Dr Herrick mistakes Lawrie for Nicola; and the audition scene gruesomely sheep-and-goats. Dr Herrick's embarrassing idea that Lawrie and Nicola should walk together again indicates his showmanlike tendencies; gentle and courteous though he may be, he's rather ruthless of people's feelings when it comes to mounting a production. And this incident marks a further wedge between Nicola and Tim-and-Lawrie. That Nicola's feelings are sufficiently bruised by the quarrel with her sister that it is only when she's seeing to Sprog that it occurs to her how exposed she'll be, singing solo in the Minster, I think, is a really neat touch of characterisation.
Although I have to try very hard to care much about the netball bits of the books under normal circumstances, I really like the little episode in which Lois refashions the younger girls' joshing of Nicola as an anecdote about Nicola's big-headedness. Val's uncritical acceptance of Lois's manipulation neatly indicates her acceptance of authority and hierarchy, while Janice's scepticism displays independence.
I enjoy Nicola's surprise at Shakespeare knowing anything as 'useful' as falconry; and perhaps the germ of an interest in Shakespeare in 'wondering how they fitted into their various plays'.
What do people think of Lois's behaviour towards Nicola at the practice? Ideas about what motivates her? Just the feud with Rowan?
(iii)
As someone who's a cheerful-noise-in-the-bath sort, I quite appreciate the horrors of Dr Herrick's reign of terror. Tim's dismay at remaining in the Crowd now the criteria for inclusion have changed, and its consequences in stinging-nettle satire, I think is handled with great plausibility. Marie's hearty attempts at joining in always make me squirm, as does her falling neatly into Miranda's baited trap. I'm fascinated by and would love to hear what people have to say about Miranda's Jewish identity, by the way (also: fic prompt--I wish I had the knowledge and competency to try my hand.)
Lawrie's religious ignorance will be picked up later in her conversation with Madame Orly. Is it plausible? End of Term is the novel in which Forest's religious commentary begins in earnest. It's one of the strands in the series that I enjoy most, and I'd just like to open up to discussion this novel's (and the series') religious themes. (I don't think it's a particularly spoilery area, with a couple of exceptions: use your discretion.)
Here's
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Finally, I have never, ever, been able to hear 'See Amid the Winter Snow' without thinking of school dinner.
Enough from me--have at it, and I look forward to your comments!
(Posting slightly early this week as I'll be occupied and largely offline tomorrow.)
no subject
Date: 2014-08-31 08:33 am (UTC)I do like the way all the main plot/theme elements seem to just click into place so early on - the play, the netball team, the shifting relationships between Nicola and Lawrie (and Tim, and Miranda, and Esther), the role religion. It comes across so effortlessly. (I do, however, mentally picture Forest as a ruthless rewriter. Possibly this is actually mentioned in one of the GGB editions?)
Lawrie's religious ignorance will be picked up later in her conversation with Madame Orly. Is it plausible?
I always found it very plausible. Then again, I remember being one of a class of 14 year olds asked to speak in turn about Islam; the first girl announced that "it was a very hot, dry country", and we were about a third of the way round the class with expansions on its location, borders, customs, exports etc etc, before a more clued-up classmate managed to correct us.
I like Cromwell, by the way, but I do feel for Lawrie when she makes such a mess of things on her first day.
no subject
Date: 2014-08-31 08:55 am (UTC)no subject
Date: 2014-08-31 09:28 am (UTC)I dislike Redmond a lot, both as Guide Captain and Games Coach. She seems to not only lack empathy but be actively incapable of perceiving that other points of view might exist. At least Lois knows what she's doing.
no subject
Date: 2014-08-31 09:47 am (UTC)no subject
Date: 2014-08-31 10:05 am (UTC)It was taught by the senior maths teacher (the head and deputy head were also mathematicians) who was suspected by some of being a were-duck and would respond to questions like, "I'm sorry, Mrs C, but what exactly is an integer?" with "I'm glad you asked me that question. There was a very interesting paper by a Field's medal winner two years ago which questioned whether the basic understanding of integers might not be over-simplistic..." while fortunately one's mates doing double maths would nudge you in the ribs and go, "it means a number like 1 or 2, not like 1.4 or two and three quarters".
no subject
Date: 2014-08-31 10:13 am (UTC)My maths teacher, who was quite human if you had some aptitude, was wont to bear down upon the askers of simple or clueless questions shrieking 'Don't panic! don't panic!' which immediately, of course made the hapless questioner think 'Panic? Should I be panicking?' *panics*
no subject
Date: 2014-08-31 10:24 am (UTC)Without the link, this time:
Whatistigerbalm on DW pointed me in the direction the other day of a Ta Nehisi-Coates piece about intensive French language study and this bit in particular hit me:
And that hit me as being so absolutely right; I can remember the moment (some years into the study) when I suddenly realised why latin nouns were written "mensa, mensae" in the dictionary, and verbs "do, dare, dedi, datum" and what it meant when you had that clue to how to crack the code at your disposal. And I don't know whether that had never been explained at the outset, or if it had happened when I was off with a broken ankle, or otherwise not paying attention but it really was that light-bulb moment.
And Forest is very good at showing both the process of learning and the process of not-learning (the inside of Lawrie's head I imagine is even more scary when contemplated by teachers)
no subject
Date: 2014-09-01 11:07 am (UTC)no subject
Date: 2014-08-31 10:34 am (UTC)I love that description of Janice being sceptical of Lois's story - it also sets her up as someone who is observant as well as independent of thought (particularly when it comes to the fateful netball match).
I've always enjoyed Forest's sporting descriptions, though since the cricket matches in Cricket Term are among the best I've ever read, the netball ones tend to fall a little short. But I do like the way the team coheres and becomes a unit - though we don't see that particularly until the match with Brockhurst.
no subject
Date: 2014-08-31 11:39 am (UTC)However, I do understand how blanket comments like the ones above come to be made. I don't see the argument that being good at sports and playing in school team makes you necessarily a more generous loser, more willing to help and work with others that the duffers who can't catch a ball etc. born out in real-life and it certainly doesn't seem that way in the more publicized top levels of sports, either.
I've certainly come across people in real life who are gifted in music and English literature and some extent drama who are absolutely sure that people not so gifted, or even who have gifts that they do not, are absolutely incapable of feeling emotions or having their feelings hurt in the same way that they themselves can. I'm not saying that everyone who is a gifted musician or actress or who gets a first in English lit necessarily despises everyone else, but its happened often enough to make me aware that someone with those gifts might quite genuinely by their own moral code think it acceptable to be less honest/ kind/ loyal to her less gifted friends than to the more gifted. (I can really see Lawrie getting married and divorced several times on the strength of this.)
One of the things that I like about Nicola is that as the extent of her gift for singing is revealed, she doesn't seem think that her feeling are more valuable because of that. I do wonder if this idea is one that Lawrie has picked up - perhaps from children's literature of the 1930s? Lawrie thinking "its OK for me to hurt or disregard other people's feelings and have them run around after me because I've got a gift. They haven't so their feelings aren't really sensitive and they can't really be hurt and much as I can." This would tie in with AF's tendency to undermine "typical" girls school story tropes. I could imagine EBD for example making "gifted" Lawrie and pretty Ginty the more sympathetic characters. The two different "takes" on sensitivity seems to be one of the underlying threads in a number of the books, but maybe I should comment on that in Attic term for fear of being spoilerish.
no subject
Date: 2014-08-31 01:01 pm (UTC)But said games staff thought I was feeble as I couldn't vault, so I made a real effort, tried, hit my torso on the horse and completely winded myself..... the woman was actually quite concerned, and never said anything like that to me again!
no subject
Date: 2014-08-31 04:43 pm (UTC)I bonded with most of my closest friends at school over being bad at games, and oddly of the group who were written off by the games teachers one competes (and now judges) at international level in senior ice dance, one became the first ever woman sports editor on a national daily, one did the Fastnet and one took 6-21 against Cambridge.
But I didn't say it was true of all games teachers; hence the distinction I made between Lois and Redmond on one side and Nicola, Rowan and Craven on the other.
no subject
Date: 2014-09-01 09:47 am (UTC)no subject
Date: 2014-09-01 10:50 am (UTC)no subject
Date: 2014-09-01 04:30 pm (UTC)no subject
Date: 2014-09-01 07:39 pm (UTC)Pomona?
Date: 2014-09-04 07:09 am (UTC)no subject
Date: 2014-09-01 04:39 pm (UTC)no subject
Date: 2014-09-01 07:02 pm (UTC)Again, I'm very, very sorry.
no subject
Date: 2014-09-01 09:28 pm (UTC)no subject
Date: 2014-10-19 11:44 am (UTC)(no subject)
From:(no subject)
From:no subject
Date: 2014-09-01 07:42 pm (UTC)no subject
Date: 2014-09-01 07:48 pm (UTC)no subject
Date: 2014-09-01 09:48 pm (UTC)no subject
Date: 2014-09-02 11:45 pm (UTC)I had a teacher like this when I was about seven and I still remember her quite fondly! I was a pretty sickly/frail child and absolutely awful at games and PE (and in fact did no more of them, ever, after age eleven), but had some fairly sporty friends who were all in the netball team &c. -- I could easily have been completely left out and miserable, but the teacher in question recognised that, within my limits of less-stamina-than-the-norm and so on, I WAS trying, and encouraged me. Don't think I ever really improved much, but I realise in retrospect how lucky I was to strike her at that age (at my previous school -- a state first school; nice games teacher was at a prep -- we just did PE with the class teacher, so she was my first experience of someone teaching sports specifically).
Nowadays, I am a very good loser on the outside (I mean: I have manners) in games and things, but I mind inside. Maybe if I'd been in teams I would care less! (Not really. Joking. I completely agree it makes very little, if any, difference.)
About EBD: YES! I completely agree. She'd have loved to have Lawrie and Ginty as flawed heroines in need of sorting out by the CS. ;)