[identity profile] geebengrrl.livejournal.com posting in [community profile] trennels
There are three things that always troubled me a bit about this book:
a) Why did Karen suddenly up and marry an older man, with kids, and chuck in her degree;
b) Why is Edwin such as bastard; and
c) the cooling of relations between Rowan and Karen

I re-read the book over the weekend, and I came up with a few theories, so thought I'd put them out there and see what the general opinion is.

(a) Why did she do it?
At the time the book was written, the '60s were beginning to make themselves felt. There are references to dolly birds for example, and things pointing to a gap widening between youth and age. I get the feeling that Karen is quite old-fashioned. She's studying Classics (and she studies - in Peter's Room she's spending her whole xmas vacation pouring over the books), her sisters refer to her as "straight", she doesn't seem to be partying her time at Oxford away. Could it be then, that Karen found she didn't want to be part of this brave new world that was opening up - she doesn't seem the type for pop music, free love, drugs etc and she doesn't seem to have any friends at Oxford. Does it make sense that she saw an academic career was not going to be what she wanted, not because she doesn't want to be an academic, but because she doesn't like the way academia is going (maybe she even has inklings of the coming tide of post-modernism). If you're 19 and a young fogey and not a particularly good "coper", is it an easy solution to your problem to marry a much older man whose interests seem to align more with yours, so that you can feel more comfortable in your skin?

(b) Why is Edwin such as bastard?
I think you can understand Edwin a little better if you think a bit deeper about the class issues involved. I'm basing this on a few things: Edwin reads the Guardian, he drives a fairly ordinary car*, Karen calls him "love"**, and they send the kids to the village school and the Colebridge grammars. This, to me, points to Edwin possibly being a lower-middle-class grammar school boy made good; but with a bit of a radical/lefty edge. So part of the reason he comes across as such a bastard is that he's wrestling with an internal conflict - he's married a woman who comes from all he despises (money and privilege); AND he's under obligation to the ruling classes because he's staying in their house, eating their food, and having his kids minded by them. Peter's behavior to him is not just a kid being cheeky to an adult, but a member of the ruling classes trying to assert their power over the proletariat. Edwin wants to assert himself in the face of the Marlows' privileged existence, but his radical identity is being swamped by sheer weight of numbers.

* Edwin drives a Hillman Minx, a fairly ordinary, mid-priced British car manufactured from 1947 to 1960.
** I tend to associate this with lower-middle / working class speech. While it comes from Karen in this context, I am speculating that she calls him that because he calls her that. It contrasts to the Marlows, who are always "darling" when an endearment is required.

(c) Why do Karen and Rowan fall out?
In Peter's Room, there is a discussion between Nicola and Rowan in which Rowan admits that, while farming is OK, the staying at home bit of it is very very dull. I get the impression that she is longing for excitement and the company of people her own age - and that maybe she thinks Karen has all that because she lives away from home at Oxford.

Now Karen arrives home, announcing that she is throwing all that away to get married. She announces this just after Rowan has watched someone have a major stroke, has a looming farm disaster (swine fever), which she now has to cope with alone; and also is facing the long term prospect of taking on the farm herself, aged 18 with 8 months experience under her belt, or possibly having to give it up. Yet everyone is running around paying attention to Karen, for the whole book.

So I think Rowan is angry for two reasons: (1) She is going through a bloody hard time with no support; and (2) she is facing the prospect that leaving school to go farming may have been a mistake, she may have to give up farming anyway, she has no A-levels so she's not going to get to university, and here's Karen throwing away the the things that Rowan gave up, to get married AND getting all the attention.


Maybe I'm thinking too much. But it's a plausible explanation to me, and I'm interested to know what you think.

Date: 2006-03-05 10:11 am (UTC)
From: [identity profile] ex-ajhalluk585.livejournal.com
I agree, in particular about Rowan's attitude to Karen. I also think that, very probably (especially given Nicola's subsequent realisation that Karen's just as selfish as Lawrie about rolling over anything and everything in the path to taking what she wants, just more sophisticated about disguising it) that Rowan has throughout their years at Kingscote been "taking up the slack" quietly on Karen's behalf - coping with Nicola on the first day after the train disaster in Autumn Term for example - so Karen could achieve her ambition, and that Rowan's expectation that Karen has noticed and appreciated her efforts to date (and don't forget - no-one even considered asking Karen to take on the farm, because of course "she's got Oxford") to help her to achieve her ambition has been comprehensively trampled by Karen not merely chucking it without apparently a second thought to go running after something else she thinks she wants (and which Rowan thinks, with some justice, is an objectively bad idea) but it's increasingly obvious that she never understood that Rowan had any special role at all. In fact, it's rather a large-scale replay of Nicola assuming that because Giles is special to her she's special to him, and being disillusioned at Port Wade (yes, I know Nicola shouldn't have been so dense as to take him at his word, but he was able to tease her in that way because she hero-worshipped him to the extent he did).

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