![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
( I hope it’s all right suddenly to post here; have lurked for some time but not contributed before. Please ignore my ramblings if not interesting/pertinent.)
So I finally read Spring Term and on the whole enjoyed it much more than I expected to, am looking forward to pleasant rereads. Didn’t agree with everything, but there you are. I did take issue, though, with something the author mentions in her afterword: that the Marlows in general and Nicola in particular, usually very much against lying, depart from this point of honor in Run Away Home, and that she has decided to assume this was a temporary aberration and return them to their previous stance in Spring Term.
It seems to me, thinking about this, that Nicola (used as a proxy for most-Marlows-in-general) admits of two kinds of lying: lying for one’s own convenience, which is a bad thing (cf Lois, Marie, Tim and the pears, etc.), and lying in a good cause, which is acceptable. For instance, Nicola’s conscience seems untroubled, at the time and thereafter, by lying her head off to Foley (over Peter’s “death”) way back in The Marlows and the Traitor. This was necessary to save their lives, therefore it isn’t a moral issue. I think the whole Edward Oeschli Project was filed under “a good cause and therefore acceptable to lie about” by the Marlows, excepting Ann. (And possibly, after the fact, Rowan—now there’s a fic I’d like someone to write. I always had the feeling that the last scene of Run Away Home was a major emotional turning point for Rowan, and would have liked to see something of that in Spring Term.)
It also interested me to think about Tim, specifically Tim being told off for lying (about Esther’s absence) by Miss Cromwell just before the Play in End of Term. We’re given the impression that Tim is deeply shaken by Miss Cromwell’s calling her a liar, which—while rather moving—seems a little out of character. My guess would always have been that Tim would think to herself “But obviously it wasn’t a bad thing to do, because if I had come out with ‘Esther’s not here’ the whole Lawrie substitution plan wouldn’t have worked out, but I can’t tell Crommie that because she’ll never see it my way,” and have remained silent, resigned rather than upset. But not? (As well, chance has allowed Nicola here to let the more morally flexible Tim do the lying, a handy escape route which does not seem to give Nicola any qualms.)
I don’t know what I’m talking about any more, but those are some of the ideas I had about the way lying works out in some of the books. Any thoughts…?
So I finally read Spring Term and on the whole enjoyed it much more than I expected to, am looking forward to pleasant rereads. Didn’t agree with everything, but there you are. I did take issue, though, with something the author mentions in her afterword: that the Marlows in general and Nicola in particular, usually very much against lying, depart from this point of honor in Run Away Home, and that she has decided to assume this was a temporary aberration and return them to their previous stance in Spring Term.
It seems to me, thinking about this, that Nicola (used as a proxy for most-Marlows-in-general) admits of two kinds of lying: lying for one’s own convenience, which is a bad thing (cf Lois, Marie, Tim and the pears, etc.), and lying in a good cause, which is acceptable. For instance, Nicola’s conscience seems untroubled, at the time and thereafter, by lying her head off to Foley (over Peter’s “death”) way back in The Marlows and the Traitor. This was necessary to save their lives, therefore it isn’t a moral issue. I think the whole Edward Oeschli Project was filed under “a good cause and therefore acceptable to lie about” by the Marlows, excepting Ann. (And possibly, after the fact, Rowan—now there’s a fic I’d like someone to write. I always had the feeling that the last scene of Run Away Home was a major emotional turning point for Rowan, and would have liked to see something of that in Spring Term.)
It also interested me to think about Tim, specifically Tim being told off for lying (about Esther’s absence) by Miss Cromwell just before the Play in End of Term. We’re given the impression that Tim is deeply shaken by Miss Cromwell’s calling her a liar, which—while rather moving—seems a little out of character. My guess would always have been that Tim would think to herself “But obviously it wasn’t a bad thing to do, because if I had come out with ‘Esther’s not here’ the whole Lawrie substitution plan wouldn’t have worked out, but I can’t tell Crommie that because she’ll never see it my way,” and have remained silent, resigned rather than upset. But not? (As well, chance has allowed Nicola here to let the more morally flexible Tim do the lying, a handy escape route which does not seem to give Nicola any qualms.)
I don’t know what I’m talking about any more, but those are some of the ideas I had about the way lying works out in some of the books. Any thoughts…?
no subject
Date: 2013-05-08 02:44 pm (UTC)The "Marlow code" would not lie to get other people into trouble, and it would not lie to deceive its friends about anything which was their friends' business (so Lawrie could lie to Tim when Nick nipped off to Port Wade, but Ginty shouldn't have lied to Monica about being caught going to the beach in Spring term). I think Tim looked so dropped on because she was thinking that her lie about Esther was one of these harmless lies, and Miss Cromwell made it clear that it was seriously dishonest. Tim can live with being mildly dishonest, but not seriously dishonest. She might steal a pear from a garden, she wouldn't steal one from a shop.
In Cricket Term, Nicola wouldn't have bothered lying about missing a lesson because she was on the roof, it that had been all it was. It was because of the reasons she didn't want to go into that she lied. And that's where she quoted to herself Rowan's dictum that an honest-to-godness whopper was less deceitful than prevaricating. Very much in contrast to more traditional stories such as the Chalet School, where prevarication to the nth degree is considered not to be dishonest as long as the words you say are literally true.